From interpretation, the body and photography
In The Time of  Himero #8 2021
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Keywords

photography
situations
body condition

How to Cite

García Mendoza, S. . (2024). From interpretation, the body and photography. Papel Escena, (20), e–30575. https://doi.org/10.56908/pe.n20.575


Abstract

Making a visual work, personally, always starts from the construction of a story rather than a concept, and that is why my works come in the form of a series. Each part of this series raises stages, moments, and situations of that story This is how it becomes essential to work together with actors rather than with models because it then requires some basic knowledge in terms of interpretation to achieve that expressive point that I want to achieve. This is where the recurrent use of the LAB7 theater company comes in, where I am also the artistic director.

https://doi.org/10.56908/pe.n20.575
PDF (Español (España)) Visitas: 12
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