Agonist Fritzl: cartografía de un trabajo en proceso

Abstract

In this article, Amaya recounts the details of the process of staging Fritzl Agonista, from learning about the text from the author himself to the experience of socializing with the audience, touching on different topics that interest the director: violence against women, post-dramaturgy, transmediality, and the search for a participatory audience, among others, are topics that the reader will delve into, starting from the staging of Fritzl, which will inevitably lead to a profound reflection on theater work and the performing arts experience today.