Tensions between creation and circulation in the Colombian theater scene

Abstract

In this article, Vidal takes a historical and critical look at the interstices of the performing arts in our country. From the government's perspective, whose purpose is to sponsor and stimulate the development of a multicultural, multi-ethnic nationality and a democratic cultural citizenship, to the perspective of the producers: strategies for artistic survival through audience loyalty, reaching the reality of concert halls; the vicissitudes of management, marketing, and the consolidation of groups loyal to collective creation, among other things, serve to enlighten the reader about the tensions faced by producers dedicated to the performing arts.