Abstract
In this article, Díaz provides detailed insights into his experience of running a theater journal for two decades. In the face of the frequent pessimism surrounding publishing, with regard to the difficult task of obtaining reflections for the magazine, achieving cyclical continuity—in this case, annual—of publications, and constantly participating in various state and private movements and programs, we spoke with a prolific playwright, dedicated to supporting the theatrical universe of Medellín, willing to continue defending an effective means of communication for professionals and lovers of Colombian theater.

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