Abstract
Over the last century, Colombian theater has placed fundamental importance on actor training and the systematization of staging as an autonomous form of writing. This requires defining a score for the dramatic action within a discursive space/time, encompassing the "real" space of the performance and the "fictional" space of what is represented. It involves ongoing reflection on what is revealed during the theatrical performance, on the communicative experience between the actors and each spectator, in the fleeting, present moment of the performance.

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